Christ: A Crisis in the Life of God

Rev. Josh Pawelek

Jesus journeys from the Mount of Olives down into Jerusalem. He rides a donkey. Nearly 2,000 years later, the average reader may not pause to contemplate this image—its oddness, its humor, its political theatrics, its peaceful message recalling certain Jewish prophecies about the coming of the messiah,[1] and yet contradicting the image Jews and others had of God. Yet, if we take the whole story at face value—Jewish and Christian scriptures together as one, long, seamless narrative—this is God. Or, as the Book of John says, Jesus is “the Word [that] was God.”[2] This is the creator, the divine warrior, the lawgiver, the Lord of Hosts making a “triumphal entry” into the holy city, not in a chariot, not in a palanquin, not on some mythical beast, lion or war horse, but on a donkey. Why is the creator of the universe riding this stubborn, ungainly and, perhaps to some, humiliating mode of transportation?

A more fundamental question: Why crucifixion? Why such a demeaning, disgraceful, bloody execution per order of the Roman authorities? Why not raise up an army out of the Galilean dust and destroy the Roman legions, just as he had destroyed Pharaoh’s army a thousand years earlier? His power is infinite. Why choose powerlessness?

These questions come courtesy of Fred and Phil Sawyer, who purchased this sermon at our 2018 goods and services auction. Last spring Fred and Phil had me preach on Jack Miles’ 1995 book, God: A Biography.[3] This year it’s Miles’ 2001 follow-up, Christ: A Crisis in the Life of God. Miles is Professor Emeritus of English and Religious Studies at the University of California, Irvine, and Senior Fellow for Religion and International Affairs with the Pacific Council on International Policy.[4] He presents God not as the God our Jewish and Christian siblings worship, not as God deconstructed through modern Biblical criticism, but God as a literary character.

Miles isn’t a Biblical literalist. He doesn’t approach the Bible as a factual record of events. He also isn’t doing modern historical criticism. Historical critics ask who wrote a particular biblical book, where, when and why they wrote, what social, cultural and religious forces impacted their point of view, who their audience was. Instead, Miles treats the Bible as a long story in which God is the protagonist. He takes the story at face value. Whatever God says or does, that’s what he works with. This is neither the Jesus of Christian faith, nor the historical Jesus. This is Jesus the literary character. And a great character has the power to teach us something about our very human selves, even if that character is God.

In God: A Biography, Miles tells the story of God in the Hebrew Bible, or Tanakh, in which, after the book of Job, God is essentially silent. People speak about him, but he speaks no more. Miles describes him as a sleeper, a bystander, a recluse. He wonders if God has grown weary of his deep inner turmoil in relation to humanity.[5]

In Christ: A Crisis in the Life of God, Miles tells the story of God in the Christian New Testament as a response to his silence at the end of the Tanakh. We discover the root of God’s inner turmoil: He has not kept his promise to his people. His promise was big: land, nationhood, prosperity, victory in battle, innumerable blessings and, for later Jewish exiles, a glorious homecoming. But God hasn’t delivered.

Miles says, “the action of the New Testament begins with the memory of a broken promise”[6] The Book of Luke, chapter 3, in describing John the Baptist, repeats the promise as proclaimed by the prophet Isaiah: “Clear the way for the Lord! / Make straight his paths. / Let every valley be raised, / Every mountain and hill lowered, / The crooked made straight / And the rough smooth / So that all flesh will see the salvation of God.”[7] But Isaiah spoke these words 700 years earlier. “Isaiah,” says Miles, “describes a triumphal march that never occurred. Mountains were going to be leveled and valleys filled to create a parade route for the Israelite exiles marching home from Babylon—but the parade was cancelled. The exiles to whom the Lord spoke through Isaiah did not return home in glory. Many of them never returned at all, and those who did merely exchanged one imperial ruler for another.”[8] Now, with Roman oppression steadily worsening, God’s unfulfilled promise has led him to a moment of crisis.

What does he do? He appears on earth. Not as a burning bush, a pillar of cloud or fire, or a whirlwind—nothing dramatic. He joins humanity the way all humans do. He is born. An innocent, helpless baby. Furthermore, he is born into a family and a nation experiencing a great humiliation: the Roman census. Miles says, “In ancient Israel, it was a grievous sin … to conduct a census, perhaps because the practice of people-counting was understood to be … connected … with taxation and forced labor.”[9] King David once conducted a census. God was so angry he sent a pestilence upon Israel, killing seventy thousand.[10] In subjecting Jesus and his young parents to the census, the story emphasizes their helplessness in the face of an onerous foreign power. Because it is a census of the whole world, the story “makes clear that it is … not just the Jewish condition God is taking on … [but] that of all oppressed people at the mercy of officious power.”[11] In response to the crisis of his broken promise, God comes as a helpless infant, born to helpless parents, living in a helpless nation.

John the Baptist, announcing the coming of the messiah, calls Jesus “the Lamb of God who takes away the sins of the world.”[12] As Miles says, “A lion would be more to the purpose, a rapacious and terrifying cat.”[13] But no, Jesus is a lamb, implying gentleness, meekness, innocence. But wait—the Baptist also says “He will baptize you with the Holy Spirit and fire. His winnowing fork is in his hand, to clear his threshing floor and to gather the wheat into his granary; but the chaff he will burn with unquenchable fire.”[14] Not so lamblike.

What’s going on? Two Jewish traditions are merging in this character. First, the Baptist’s Jewish audience would be familiar with the practice of sacrificing a lamb for the expiation of certain sins. What sins? We might call them sins you can’t do anything about, sins that are part of the human condition, like bleeding during menstruation or living with certain diseases, like leprosy These aren’t sins one commits. We can more accurately describe them as natural conditions, often associated in ancient times with words like ‘unclean’ or ‘impure.’ The Torah requires such “sinners” to make amends to God, often by sacrificing a lamb.[15] Miles points out that such sins harken back to the first time God cursed humanity, sentencing them to endless labor, painful childbirth, and death.[16] The book of Leviticus describes the ritual sacrifice required to make amends for the “sin” of leprosy. Miles says “the ceremony functioned as expiation not really for any sin of the leper himself but effectively for the sin that brought that [original] curse.”[17] Thousands of years later, God has still never reversed those original curses. People were essentially helpless in the face of them. “The lamb of God who takes away the sins of the world?” Wait, what? Is he to be sacrificed?

But there are others species of sin, most notably the sort humans do to each other: exploitation, extortion, robbery, murder, etc. These are the sins one commits. These are also the sins Rome was committing against the Jews. There is no sacrificial lamb for these sins. Ideally, the perpetrator repents and makes amends, ‘an eye for eye,’ as it were. If not, the victim can either submit or fight back. In the Book of Luke, after Jesus’ Baptism, a voice comes from Heaven, saying “You are my Son, the Beloved; with you I am well pleased.”[18] Miles reminds us this line comes from Psalm 2, which follows those words with “Ask of me, and I will make the nations your inheritance, / and the ends of the earth your possession. You shall break them with a rod of iron, / and smash them to bits like a potter’s pot.”[19] That is, “we’re gonna fight back.”

This is the tradition of the messianic warlord coming to liberate! Jesus is both the lamb and the warlord. Miles calls them “two native Jewish ideas made daring and new by unforeseen combination,”[20] though the reader doesn’t know yet how this combination will unfold. What we know is that Jesus has come to the river for baptism. He has come to repent. But this is God. Repent for what? What has he done wrong? Ah, he hasn’t kept his promise. And apparently he isn’t going to. He can’t. That’s the realization that lives at the heart of his crisis, the reason for his repentance. As Miles says, “If [God] cannot defeat Israel’s enemies … then he must admit defeat.”[21] This admission makes way for new possibilities.

Miles says, “Instead of baldly declaring he is unable to defeat his enemies, God … now declare[s] that he has no enemies, that he now refuses to recognize the distinction between friend and foe. He … announce[s] that he now loves all people indiscriminately, as the sun shines equally everywhere, and then urge[s]—as the law of a new, broadened covenant—that his creatures extend to one another the same infinite [love] that henceforth he will extend, individually and collectively, to all of them.”[22] This is his solution to the sins that people commit. He’s no longer telling them what they “shall not do.” He’s telling them what they shall do: love your enemies, do good to those who hate you, bless those who curse you, pray for those who scorn you. If someone slaps you on one cheek, turn the other cheek as well.”[23] The messianic warlord is taking on characteristics of the lamb.

This is a radical change in God’s identity, so radical that it troubles the Romans. But why should the Romans care? After all, Jesus is not a militant. In fact, he preaches “render unto Caesar that which is Caesar’s.” At times he upholds Roman law instead of the Torah. Jesus’ concerns, it turns out, are larger than Rome. Miles says, “The Lord is playing for higher stakes.”[24] Throughout the story Jesus heals paralytics, lepers and bleeding women. He raises the dead. He does not say, “you are healed.” He says “your sins are forgiven.” He’s referring to those original curses God has never rescinded. People still suffer and die because of his curses. This is a deeper dimension of the crisis. Can he resolve that? Can he somehow transform the human condition that has resulted from his curses?

As much as this is a story about defeating one’s oppressors with the power of love, it is also a story about transcending the human condition—the end of suffering, the end of death. Jesus, the messianic warlord who meets his earthly enemies as a lamb, also has a cosmic enemy, Satan. Those original curses? He now associates them with Satan. “Even when speaking of his own defeat,” says Miles, “Jesus does not speak of the Romans. He speaks instead, at the most crucial moments, of Satan; in so doing, he identifies his enemy not as Rome … but as death itself.”[25]

I asked earlier, why the cross? Why does the creator of the universe submit to a humiliating, demeaning and bloody human execution? To undo those original curses, to take away the sins of the world. Miles says: “When Jesus dies, death wins, and the Devil wins for the moment; but when Jesus rises from the dead, life wins and the Devil loses for all time. By rising from the dead, God Incarnate [doesn’t] defeat Rome, but he [does] defeat death. He … win[s] a victory of a new sort, over a newly identified enemy, and in the process he … redefines the traditional covenant terms of victory and defeat.”[26]

It’s a powerful story. And like all great stories, it tells us something about ourselves. It reminds us there are two kinds of suffering. One is the suffering humans inflict on each other, the suffering of injustices embedded in systems designed to privilege some and exploit, marginalize, disempower, abuse, and even destroy others. The second is existential suffering, the suffering inherent in our living, the suffering that comes from illness, loss, and death. Both kinds of suffering can generate crises in us, and thus there is a deep yearning in us to transcend. Ad so we try. We try, each in our own way, to bring love into the world, instead of hate, instead of violence. Sometimes we fail. Sometimes our love makes all the difference. But then there is that pesky problem of death. What are we to do about death other than learn to accept it as the final stage of our very human lives? Might we live again? That’s a question of faith. Where did the resurrection story come from? That’s a matter for the historical critics. Do we long to transcend suffering? A good story speaks to that longing.

In the end, we aren’t God. But sometimes it’s nice to imagine how sweet eternity could be.

Amen and blessed be.

 

[1] Zechariah 9:9.

[2] John 1:1.

[3] Miles, Jack, God: A Biography (New York: Vintage Books, 1996).

[4] For information on Jack Miles, visit his website at http://www.jackmiles.com/.

[5] Miles, Jack, God: A Biography (New York: Vintage Books, 1996) p. 404.

[6] Miles, Crisis, pp. 18.

[7] Isaiah 40:3-5 quoted in Luke 3:4-6.

[8] Miles, Crisis, pp. 18-19.

[9] Miles, Crisis, pp. 86-87.

[10] Second Samuel 24: 1-15.

[11] Miles, Crisis, p. 87.

[12] John 1:29.

[13] Miles, Crisis, p. 23.

[14] Luke 3: 16-17.

[15] For example, see Leviticus 14 for instructions on how to make amends for the sin of leprosy.

[16] Genesis 3:19.

[17] Miles, Crisis, p. 25.

[18] Luke 3: 22.

[19] Psalm 2: 7-9.

[20] Miles, Crisis, p. 27.

[21] Miles, Crisis, p. 108.

[22] Miles, Crisis, p. 108.

[23] Luke 6:27-29.

[24] Miles, Crisis, p. 178.

[25] Miles, Crisis, p. 163.

[26] Miles, Crisis, p. 163.

The Image of the Image of the Image . . . .

By Rev. Josh Pawelek

Growing up in a Unitarian Universalist congregation where most of the members identified as Humanists, atheists or agnostics, I heard many arguments against belief in God. One of those arguments outlined the many divine inconsistencies in the Bible. God creates the world, saying it is good, then destroys it. God is the personal God of Abraham, and also God of all nations. God is a warrior who leads Israel to victory; but God also fights and kills the Israelites in retaliation for their transgressions. God is the lawgiver who punishes some but not others. God is just and terrible, loving and cruel, male and female, knowable and mysterious, present and absent. How can we believe in a God who varies so widely across so many pages of scripture?

There are many answers to such questions. We might hear that human beings cannot comprehend the vastness of God, and thus we only ever encounter one divine facet at a time. We might hear that God’s mystery requires us to believe despite the inconsistencies. My Humanist UU elders found such answers unconvincing.

Of course, we were not the first people to notice the inconsistencies. As long as the biblical books have existed there have been scholars, theologians, temple officials, priests, rabbis, ministers and imams who’ve attempted to explain the inconsistencies so that ordinary readers can fathom such a wide-ranging divine personality. Those attempts will continue as long as the God of Abraham remains God in the western religious mind.

I recently read Jack Miles’ 1995 book, God: A Biography.[1] Miles is Professor Emeritus of English and Religious Studies at the University of California, Irvine, and Senior Fellow for Religion and International Affairs with the Pacific Council on International Policy.[2] I read his book because Fred Sawyer suggested it after he and Phil purchased a sermon at our 2017 Goods and Services Auction. I’m glad I read it. Miles presents God not as the God our Jewish and Christian neighbors worship, but as a literary character—the protagonist in one of civilization’s most enduring stories. In doing so he offers insights into the spiritual conflicts residing at the heart of the human condition and explains an enduring human restlessness.  

God: A Biography tells the story of God as it appears in the Hebrew Bible or Tanakh, which is distinct from the Christian Old Testament.[3] They contain the same books, but they order the books differently, which means as literature they tell God’s story differently. The plot unfolds differently. The character of God develops differently.

I also want you to know the difference between historical criticism and literary criticism of the Bible. Historical criticism studies who wrote a particular biblical book—where, when and why they wrote; who their audience was. The historical critic teases out the cultural and religious influences in the writer’s life—their sources.

For example, the very beginning of Genesis describes the creative acts of elohim, translated as God. Elohim creates and blesses and pronounces everything as good. He creates men and women in his image and generously gives them the entire world: “See, I have given you every plant yielding seed that is upon the face of all the earth, and every tree with seed in its fruit; you shall have them for food.” Then, a few verses later, an entirely different creation story begins, describing the acts of yahweh, translated as the Lord God. He doesn’t give the whole world to Adam and Eve, he gives them a garden. And when they disobey him, he flies into a passionate rage, punishing them harshly. “To the woman he said, ‘I will greatly increase your pangs in childbearing; / in pain you shall bring forth children….’ / And to the man he said…. / ‘cursed is the ground because of you; / in toil you shall eat of it all the days of your life; / thorns and thistles it shall bring forth for you ….  / until you return to the ground, / for out of it you were taken; you are dust, / and to dust you shall return.”[4] The historical critic reveals these are actually two different traditions with two different Gods that have been edited—fused—into one.

The Bible is filled with such fusions. It’s not just elohim and yahweh. In Genesis 6—the story of Noah’s ark—God takes on the traits of the watery Babylonian chaos monster, Tiamat, becoming not only the creator of the world, but also its destroyer. Eventually the Canaanite sky God, el, is woven into God’s personality. El is also the common Ancient Near Eastern word for any god; it appears in the Bible in terms like el shaddai, Almighty God, whom Abraham invokes for ritual circumcision; and el olam, Everlasting God, whom Abraham invokes before the binding of Isaac. In God we find traits of the Mesopotamian personal god. He absorbs the Canaanite war God, Baal. He becomes the Lord of Hosts, the liberator, the lawgiver, the conquerer, the father god to Kings David and Solomon, the arbiter, the executioner, the protector of the poor and oppressed, the Lord of all the nations. For the prophet Isaiah he is the Holy One of Israel, unknowable, mysterious. For Daniel he is the “Ancient of Days.” Despite a concerted effort to remove all evidence of the divine feminine, traces of the Canaanite goddess Asherah persist in God. 

This fusion happened because Israel, throughout its ancient history, was becoming monotheistic. The writer known as the Deuteronomist edited the earliest books of the Bible into a monotheistic story. As Miles puts it, the Deuteronomist’s gift was to make all these distinct materials seem in combination, down to the phrase, ‘the Lord our God,’ not just plausible but inevitable.[5] The historical critic pulls it all apart, reveals the editor at work, tells the story behind the story.

Miles isn’t doing historical criticism. He’s doing a species of literary criticism that picks up all these disparate gods the historical critic has exposed, and reads them back into the character of God as the Bible’s main protagonist. Imagining God as a character, we can understand the inconsistencies not as vestiges of earlier deities, but as God’s experience of inner conflict.[6] For example, God is generous and creative. God is strict and destructive. We might not believe in such a God, but we can ask, ‘what is it like to contend with such competing impulses? And do these impulses not also reside in the human heart? As God the character experiences inner turmoil, he affirms our very human wrestling with our own conflicting impulses.

Contemplate this question: Why did God create? I typically say the biblical creation story is a metaphor for the creative impulse at the heart of all existence. God creates because reality is inherently creative. But that’s not the answer the character God gives. Miles says, “God makes a world because he wants mankind, and he wants mankind because he wants an image.”[7] He doesn’t want a servant, a friend, a spouse; he wants an image of himself.  Why he wants this is not entirely clear. We know nothing about God before creation. We might wonder, ‘is God lonely?’ If so, wouldn’t he create a spouse or friends? That’s not what he does. He creates an image of himself, which suggests that he wants to know himself more fully by observing his image. More than companionship, God longs for self-knowledge.

But he doesn’t always like his image. Adam and Eve disobey. He becomes angry, terrifying. He curses. Apparently, he can’t handle the knowledge that this disobedience lives in him. After releasing his anger, he feels regret, remorse. He wants somehow to make it up to them. The text says “And the Lord God made garments of skins for the man and for his wife, and clothed them.”[8] Miles asks, “Having just inflicted labor in childbearing on her and toil in the fields on him, why should he now spare them the inconvenience of making their own clothing? Why if not because, to speak very simply, he feels bad about it?”[9] Miles identifies this moment as God’s first inner conflict, and suggests it is the beginning of western humanity’s interior life as well.[10]

As the Bible progresses, another important dynamic emerges. God wields immense power, but rarely foresees the results of his use of power. Miles calls him ignorant at times. It makes sense. Because he has no history, he has nothing for comparison. He is learning as he goes. Whenever something unexpected happens that he doesn’t like, he tries to fix it, often in a fit of rage. Afterwards he feels regret, tries to atone, restates his promises more generously than before. Then something else unexpected happens. Miles says, “his key experiences … subvert his intentions…. He did not realize when he told mankind to ‘be fertile and increase’ that he was creating an image of himself that was also a rival creator. He did not realize when he destroyed his rival that he would regret the destruction of his image. He did not realize that his covenant with Abraham … would require him … to go to war with Egypt…. He did not realize when he gave [the Israelites] the law that where there is law, there can be transgression, and that, therefore, he himself had turned an implicitly unbreakable covenant into an explicitly breakable one…. The inference one might make looking at the entire course of his history … is that God is only very imperfectly self-conscious and very slightly in control of the consequences of his words and actions.”[11] We may not believe in such a god, but certainly his imperfect self-consciousness and his minimal control of events makes him a compelling literary character and a wonderful mirror for our own internal struggles and limits.

The book of Job provides the story’s literary climax. True to form, God enters into something that doesn’t go how he expects. Job is righteous, steadfastly loyal to God. The satan, translated as the adversary, suggests Job is righteous only because it brings him wealth. Take away his wealth? He will curse God. God says ‘go ahead, impoverish him, torture him. He’ll stay righteous.’ The wager is on. The adversary tortures Job mercilessly. Job maintains his righteousness believing God will vindicate him. But then he does the unexpected. He demands God explain why he must suffer so greatly. He demands an explanation of God’s justice, because his suffering is pointless. God seems to not recognize that’s he’s won. Job has not cursed him. But God is infuriated that Job has questioned him. God speaks from the whirlwind—an ode not to justice but to raw, unfettered power. “Where were you when I laid the foundation of the earth?”[12] “Will you even put me in the / wrong? / Will you condemn me that you / may be justified? / Have you an arm like God, / and can you thunder with a / voice like his?”[13]

Job responds calmly. The common interpretation is that Job hears God and repents. In the typical English translation Job says “I had heard of you by the hearing / of the ear, / but now my eye sees you; / therefore I despise myself, / and repent in dust and ashes.”[14] Miles says this is incorrect. A careful reading of the ancient Hebrew calls for a different interpretation. Job does not repent. A more authentic translation of Job’s words is, “Now that I’ve seen you / I shudder with sorrow for mortal clay,”[15] meaning divine justice is not a given for anyone; meaning God is as likely to be evil and cruel as he is to be kind and just. God didn’t expect this lesson, this wisdom. Once again he plunges into profound inner turmoil. “After Job,” writes Miles, “God knows his own ambiguity as he has never known it before. He now knows that, though he is not [a] fiend, he has a fiend[ish] side and that mankind’s conscience can be finer than his.”[16] He finds solace in the knowledge that Job is his image. He restores Job’s life and doubles his wealth. Indeed, it is not Job who repents, but God.

From here to the end of the Tanakh God is silent. People speak about him, but he speaks no more. Miles describes him as a sleeper, a bystander, a recluse, a puzzle. What are we to make of this silence? Miles wonders: “Once you have seen yourself in your image, will you want to keep looking?” “Will you lose interest in yourself … once the image has served its purpose and you know who you are?”[17]

Maybe. Maybe God lost interest. Whether he did or not, this story of  a God who could never quite choose one deep impulse over another, has shaped western moral consciousness as much as any other force. “That God,” says Miles, “is the divided original whose divided image we remain. His is the restless breathing we still hear in our sleep.”[18]

May we never lose interest—not in the things we hold sacred, not in ourselves. May we continue to encounter that restless breathing. May continue to struggle with our own inner conflicts trusting we will grow wise in time. May we continue in self-discovery, even when that discovery is unanticipated, difficult, painful. May we each have a Job in our lives who confronts us with the truth and calls us to our best and highest selves.

Amen and blessed be.

[1] Miles, Jack, God: A Biography (New York: Vintage Books, 1996).

[2] For information on Jack Miles, visit his website at http://www.jackmiles.com/. For information on his forthcoming book, God in the Quir’an, visit: http://www.jackmiles.com/Home/books/god-in-the-qur-an.

[3] In 2002 Miles published a follow-up book on God in the Christian Scriptures called Christ: A Crisis in the Life of God.

[4] Selections from Genesis 3: 14-19. (NRSV)

[5] Miles, God, p. 141.

[6] Miles, God, p. 21.

[7] Miles, God, p. 28.

[8] Genesis 3: 20-b. (NRSV)

[9] Miles, God, p. 36.

[10] Miles, God, p. 33.

[11] Miles, God, pp. 250-251.

[12] Job 38: 4a. (NRSV)

[13] Job 40: 8-9. (NRSV)

[14] Job 42: 5-6. (NRSV)

[15] Miles, God, p. 325.

[16] Miles, God, p. 328.

[17] Miles, God, p. 404.

[18] Miles, God, p. 408.