Mindful that a new year has begun, I want to play around with the spirituality of thresholds. The ancient and somewhat obscure Roman god from whom January takes its name—Janus—is the double-faced god who looks both backward and forward. He is the god of transitions, the god of beginnings, the god of doors and entry-ways, the god of thresholds. I suspect that because January 1st is a date in the calendar, we are prone to talking and thinking about our life thresholds in terms of time. Janus looks back on the past and forward to the future. Similarly, a New Year’s resolution marks a transition between our past and our future. “From this day forward, I will do X,” or “I will stop doing Y.” My future self will be different than my past self. Out with the old, in with the new. Indeed, any resolution we make and keep—no matter when it happens—is a door, an entry-way, a threshold between different eras of our lives.
All last week I contemplated how I might preach to you about such thresholds, but for days I got nowhere. Then I saw the new Star Wars movie, The Force Awakens. It was fun. If you’re familiar with Star Wars you know certain characters have a high sensitivity to the Force. Some of them train to become Jedi warriors. As the Jedi master Obi-Wan Kenobi says in the original Star Wars movie, “The Force is what gives a Jedi … power. It’s an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together.” The force surrounds us. This isn’t a temporal image. It’s a spatial image. Though most inhabitants of the Star Wars universe are completely unaware of the force, it is all around them at all times.
This led me to wonder about thresholds not in time, but in space. So many religions speak of unseen worlds, divine realms, angelic spheres, heavens and hells, and invisible sources of spiritual power that, like the Force, surround us at all times. In the Christian New Testament book of Luke, Jesus says “The kingdom of God is not coming with things that can be observed. Nor will they say, ‘Look, here it is!’ or ‘There it is!’ For, in fact, the kingdom of God is among you.” So, if it’s among us—if it surrounds us—but we can’t observe it, how do we access it? What or where is the threshold? How does one cross from this world of flesh, blood, bark, stone, air, fire and water into the unseen kingdom?
This likely wasn’t the question you brought with you to worship this morning. But it is a question people across the planet bring with them to worship or spiritual practice every day. How do I get from this world of human frailty and suffering to God’s world, to Heaven, to peace, to bliss, to nirvana, to moksha? Unitarian Universalists typically don’t pose our big spiritual questions with the expectation that the answers lie in a completely different world or state of being. We tend towards a this-worldly spiritual orientation. We ask: “how do we come to terms with this world of human frailty and suffering?” “How do we transform this world so that it is more just, fair and loving? Still, even if you’re like me and you suspect this world we experience with our senses is the only world, and this life with all its joys and sorrows is the only life, isn’t there a place in your heart for stories about hidden worlds, unseen powers, and truths just beyond the surface of our knowing?
Earlier we watched a video clip of ten-year-old Harry Potter stands between platforms nine and ten at King’s Cross station, staring at the brick wall barrier Mrs. Weasley has just instructed him to walk through. “Best to do it at a bit of a run if you’re nervous,” she adds. Not having any options other than to trust what his senses can’t accept, Harry dashes at the wall and crosses through. “A scarlet steam engine was waiting next to a platform…. A sign overhead said Hogwarts Express, eleven o’clock. Harry looked behind him and saw a wrought-iron archway where the barrier had been, with the words Platform Nine and Three-Quarters on it. He had done it.” He has entered a previously unseen world—a world of magic, mystery, power, and truth.
I could’ve shown clips or read passages from any number of movies, books or plays: Lewis Carroll’s 19th century novels Alice’s Adventures in Wonderland—remember the rabbit hole—and Through the Looking-Glass, and What Alice Found There; J.M. Barrie’s 1904 play, Peter Pan, or the Boy Who Wouldn’t Grow Up, in which one arrives at the secret island of Neverland by flying to the “second star on the right and then straight on ‘till morning;” or C.S. Lewis’ 1950 novel The Lion, the Witch and the Wardrobe, in which the wardrobe in an old country mansion is the threshold between this world and the fantasy world of Narnia. Lev Grossman’s The Magicians series features thresholds between this world and a Hogwarts-like (though much more adult) school of magic called Brakebills, and then thresholds between Brakebills and the Narnia-like (though much more deadly) world of Fillory. My family has become somewhat addicted to the ABC series Once Upon a Time in which the town of Storyville lies hidden in the back woods of Maine and is populated by fairytale characters who travel through portals between a variety of fantastic worlds including the Enchanted Forest, Neverland, Wonderland and Oz.
One of my favorites is the 1999 Wachowski Brothers movie, The Matrix, in which humans live in a computer simulation designed to mask the truth that they are enslaved by machines. Crossing the threshold from the simulated world to the real world requires swallowing the red pill. The guide, Morpheus, makes reference to Lewis Carroll, saying to Neo, whom he is trying to liberate, “You take the red pill, you stay in wonderland, and I show you how deep the rabbit hole goes.”
This is just the beginning of a list of western popular culture stories in which characters cross thresholds from known to unknown worlds. I’m sure many of you could add other titles. But this trope is not original to modern pop culture. Pop culture borrows it from religion which, at its core, responds to deep and ancient human longings to apprehend a world different from the one we inhabit, to transcend suffering and death, to make sense of mysterious and unexplainable phenomena, to experience God’s world, Heaven, peace, bliss. I suspect the ‘crossing from world to world’ scenario is so common and so beloved in pop culture precisely because it stirs up these deep and ancient human longings in us.
Religion told these stories first. Perhaps the hero’s journey to the underworld is the most ancient motif. The hero may seek the underworld for various reasons: to commune with the dead, to gain immortality, or to rescue someone who is a captive there. (Luke Skywalker’s journey to the Death Star to rescue Princess Leia in Star Wars is this exact motif.) Underworld journeys appear in Sumerian, Egyptian, Vedic, Hindu, Christian, Greek, Roman, Norse, Finnish, Welsh and Mayan mythologies—and that’s just the list from my seminary notes.
In another version of the know-world-to-unknown-world story, some Hebrew prophets describe a visit to the divine realm to receive their prophetic call. The prophet Ezekiel has one of the more elaborate and, we might say, psychedelic, descriptions of the divine realm. I encourage you to read the first two chapters of Ezekiel—makes Wonderland look tame and sedate. The prophet Isaiah describes God, surrounded by three winged seraphs, sitting on a high and lofty throne in a temple shaking and filling with smoke. Not all prophets make this crossing. Sometimes the prophetic books just begin with an announcement like, “The word of the Lord came to Jonah.” The prophets’ task was not to bring people to the divine realm, but to speak God’s word to the people in order to transform this world into one more in line with God’s vision. In a sense, the prophet becomes a threshold between the people and God.
This is true of Jesus as well, perhaps no more clearly than among second- and third-century Gnostic Christians. Bart Ehrman, professor of religion at the University of North Carolina, says Many Gnostics “believed that the material world we live in is awful at best and evil at worst, that it came about as part of a cosmic catastrophe, and that the spiritual beings who inhabit it (i.e., human spirits) are in fact entrapped or imprisoned here. Most of the people imprisoned in the material world of the body, however, do not realize the true state of things; they are like … someone sound asleep who needs to be awakened.” (The Matrix films use this same premise.) How does one cross the threshold? According to Erhman, in Gnosticism “the human spirit does not come from this world; it comes from … the divine realm. It is only when it realizes its true nature and origin that it can escape this world and return to the blessed existence of its eternal home. Salvation, in other words, comes through saving knowledge…. In Christian Gnostic texts, it is Jesus himself who comes down from the heavenly realm to reveal the necessary knowledge for salvation.”
The picture on the front cover of your order of service, for me, ties all these different hidden world stories together. It is known as the Flammarion Engraving. Nicholas Camille Flammarion was a late 19th-century French astronomer and author who sought answers to the big questions through scientific study (astronomy) and religion (Spiritism) and, when those were insufficient, he wrote science fiction. The Flammarion Engraving first appeared in his 1888 book, The Atmosphere: Popular Meteorology. The artist is unknown. A caption underneath the engraving reads: “A missionary of the Middle Ages tells that he had found the point where the sky and the Earth touch.” If you look closely at the picture, you can see that the missionary is reaching through this point between earth and sky to yet another realm. If I’m reading Flammarion correctly, for him there were many thresholds between worlds: the scientific method could reveal previously unknown aspects of reality; spiritual practice, specifically Spiritism, could bridge not only the realms of the living and the dead, but different planets as well; and the human imagination could propose explanations for mysteries science and religion could not adequately explain. When it came to his conviction that alien life exists on other planets, and that human souls could transmigrate to alien bodies on those planets, the line between science, religion and science fiction blurred completely.
Although Flammarion discovered stars and moons, he never found aliens. And apparently his scientific studies of Spiritism ultimately left him doubting that it really worked. Still, I admire his openness to possibility, and I encourage that kind of openness in us. For even if you’re like me and you suspect this world we see, hear, smell, touch and taste is the only world, and this life with all its joys and sorrows is the only life, it is also true that we only grasp a thin layer of what this world and this life really are. We say we are connected to the whole of life, yet how often are we fully awake to our connectedness? We speak of the interdependent web of all existence, yet how often are we fully aware of our place in the web? There may not be thresholds to other worlds, but there are certainly thresholds that lead us more deeply into this world, more deeply into this life, more deeply into knowing, understanding, feeling, caring, loving. You may never get to push your luggage through a brick wall, or tumble down a rabbit hole, or visit God in a shaky, smoke-filled temple, or correctly interpret the secret teachings of Jesus, but you can stay open to hidden possibilities all around you. You can, in the very least, take time each day to pause, to breathe deeply, to experience your own body living, to ponder your place in the web, to become more fully awake to connection and oneness. These are thresholds too. And as you pass through them, you may encounter this one world and this one life differently, and that encounter may have the power to change you.
Even if you’re like me, even if you sense this is the only world and the only life, keep your heart open to possibility. Earlier I shared with you the poem “The Door” from the American poet Jane Hirshfield. She says, “a note waterfalls steadily / through us, / just below hearing.” How often do we come to the threshold, about to hear the note, about to come to some deeper insight, about to witness some deeper truth about this world and this life, and we miss it. For any number of reasons we turn around, turn back, turn away because we’ve closed our hearts to new possibilities? The poet reminds us to breathe. She tells us of “the breath-space held between any call / and its answer.” So often breath is the threshold we are seeking, the act that causes us to slow down and pay attention, or to wake up or to change course. So often breathing gives us the presences of heart and mind to look differently, to listen differently, to feel differently. Breath, in the poet’s words, is “The rest note, / unwritten, / hinged between worlds, / that precedes change and allows it.”
I take it on faith that there are sources of spiritual power all around us, available to us always. And I take it on faith that we are always “hinged between worlds.” Always. My prayer for each of us in these early days of 2016 is that we may keep our hearts open to possibility, so that when we come to thresholds—when that note waterfalling through our lives is about to sing—we may remember to pause, to breathe, to pray, to listen, to hear, to cross through and be changed.
Amen and blessed be.
 Luke 17:20 -21 (New Revised Standard Version).
 Rowling, J.K., Harry Potter and the Sorcerer’s Stone (New York: Scholastic, Inc., 1997) p. 93.
 Ibid, pp. 93-4.
 Isaiah 6: 1-8.
 Ehrman, Bart, Lost Christianities (Oxford: Oxford University Press, 2003) pp. 59-60.
 For more information on Camille Flammarion, see Darling, David, “Flammarion, (Nicolas) Camille, (1842-1925),” Encyclopedia of Science: http://www.daviddarling.info/encyclopedia/F/Flammarion.html. For a brief contemporary biography, see Sherard, R.H., “Flammarion the Astronomer,” in McClure’s Magazine, 1894, vol. 2: http://todayinsci.com/F/Flammarion_Camille/FlammarionCamille-Bio.htm.
 Hirshfield, Jane, “The Door,” in Sewell, Marilyn, ed., Claiming the Spirit Within (Boston: Beacon Press, 1996) p. 321.